Showing posts with label John Wayne. Show all posts
Showing posts with label John Wayne. Show all posts

3/13/12

In which our hero battles Cragganmore to a final resolution.

Welcome to my blog. Previous readers have expressed confusion as to whether the narrator of this blog – or what Henry James refers to as the center of consciousness – really is Jack Nicholson. All I can tell you is that I, the writer of the blog, am indeed Jack Nicholson. However, I should mention that the characters in this rather disjointed chronicle are NOT intended to represent any real people, living or dead. And so, I felt this preface necessary.

LATEST NEWS!
I would wish it on no one to be me.

Only I am capable of bearing myself.

To know so much, to have seen so much, and

To say nothing, just about nothing.

   - Robert Walser 

Letters:
I’d like to apologize to the people who brought us Mouse Hunt. 


CLERIHEW 1:
Jack Nicholson
lived under a fickle sun.
For him it seemed to shine
until he appeared in Blood and Wine.


CLERIHEW 2:
Michael Ironside
suffered from a dire pride.
With every autograph signing
he’d break at the mere mention of The Shining.


CLERIHEW 3:
Danny DeVito
ate every last dorito.
When he finally farted,
he was ready to watch Jack Nicholson in The Depated.

OR

Danny DeVito
drank one too many a mojito.
When he moved onto cider,
he was ready to watch Jack Nicholson in Easy Rider.


CLERIHEW 4:
Cragganmore
did not know what was in store,
until out of the shadows appeared Nicholson’s double,
more frightening than his mustache in Man Trouble.


Like oakum in tar, several eyebrow hairs had been culled on a glue-trap beside the toilet.

Remembering the corpse of Lady Laphroaig floating in the toilet.
 


My apartment building was constructed in the 1920s, and perhaps this is something normal with these old apartment buildings, but it seemed strange to me: there is this small, plastered grill plating in the wall between the bathroom and the building’s exterior. Actually, there’s two of them – one on my side, in the bathroom, and one on the building’s outside wall – and there is a kind of triangular stage between them. I believe my bathroom was at one time a kitchen, as I have no sink in my kitchen, and that this contraption was probably conceived as a security measure in case someone left an oven on. It’s a kind of suicide-proofing, like the windows on tall buildings that cannot open enough for my body to squeeze through.



































On the little triangular stage between the two grill plates, I imagine Cragganmore doing a little dance. Trapped within the building wall since it’s construction, he pleads to me – not for freedom, but for food. “Come on, Man…” he groans, “Tenants in this apartment have been feeding me to keep me alive since Day One.” And I look at him. I study him. And he does look rather skinny and pale, malnourished with a little protruding mouse-belly to prove it. The grill plates have made some sort of cage, or prison, and Crag reminds me of some sort of human rights cause I ought to be using my celebrity to advocate. Then I wonder why I don’t pull these grill plates off my wall, why I don’t smash the wall in, and I realize that I am not his advocate. There is nobody else around, so I must be something more like his guard.

> i love writing to you so much. 
> i'd like someone to make it my job,
> and i would like to be paid 367-thousand
 > dollars to
=== message truncated ===

A shrill pierce. Small enough – and in my heart – to be a song.

In its move towards the peanut butter pabulum, Cragganmore’s body attached itself to the fresh sheet of glue beside the fridge. The fucking exterminator was wrong! The mouse never reached the poison before finding the trap.



When Cragganmore first heard him enter the apartment, the mouse played dead, but once Jack was out of sight, she gave into panic and frantic breathing – lungs and heartbeat were all that remained in the creature’s control. Though her skin would not permit the flipping of her body off the glue-trap, her insides persisted in attempting to raise their constraining chassis. The purple-pink of her lungs pushed through her rib cage, thumped against the thin layer of grey skin that withstood the break free from herself, and undulated back to the start position. The whole thing again. These operose efforts grew increasingly futile until a bronzing cinnamon light swept the floor and crawled like early mold on cheese toward the eye not concealed, not sealed, by the glue-trap, her open eye. That same eye widened with fear and beseech for two, and the nocturnal creature embraced the peremptory option: slow and painful starvation. What kind of human being would I be to neglect responsibility at a time like this? And so, the mouse regarded the supernal approach of her landlord’s Rockport shoes as an intrusion of aide rather than rapine. Upon the release of Crag’s final squeal – the whistle of a broken kettle giving into a puff – Jack Nicholson understood that there was no one else to hear the creature’s cries.

If he only had a bucket, he could drown it. Flushing it down the toilet would have been the easiest solution – I once found a baby mouse floating in my toilet (Lady Laphroaig), either from suicide or desperate thirst due to the ingested poison – but Crag’s glue-trap was too big and sticky to make its way down the bowl and through the waxing. Stepping on the mouse would be far too yucky. He could smash it, crush it – with a frying pan! But with Cragganmore’s umbra stained to the pan, he’d never be able to cook in the thing again. Best to first cover her with a plastic bag. And in the speed by which this task was completed, a loose electrical cord attached itself to the glue-trap.

Shifting movement of the glue-trap beneath the bag. Nicholson gently held the bag down, and forcefully pulled the cord off the trap opposite the mouse.
           
A drink seemed to be in order. He plucked a stiff, deep hair from his eyebrow.
           

Unfortunately, in the process of freeing the cord, his foot found its way onto the glue-trap. After hobbling a couple of steps and dragging the trap, bag and mouse with one shoe – hoping I could just walk the thing off, miraculously proving the glue faulty – he nearly stepped on the recalcitrant coating with his right shoe while attempting to release the left. Thankfully he thought better of it, choosing instead to stare at his left and debate if he really needed the Rockports.

My sister, my mother, drunk on the couch and playing with herself before giving in to one of her erotolepsy-induced fits.
 
Smoking cigar in mouth, Nicholson took the plastic bag past the courtyard to the haphazardly stacked garbage cans. If he were a cowboy, like in Ride the Whirlwind, the awaiting action would be very matter-of-fact and easy as pie. He placed the plastic bag under the heaviest trashcan. He raised the can high into the air and looked the other way before squishing Cragganmore’s body. He gave the can a little twist. He lifted it again, and hammered it down three more times. Five more times. He wanted to be sure the thing was dead – it would have been awful to let her live in that condition, and I didn’t want to look inside the bag to check. Six. Seven.

John Wayne.

The mouse didn’t climb up. It didn’t fly.


 




2/11/11

In which our hero contemplates his next project, chases a mouse around his apartment, and reads emails from his ex-girlfriend.

Welcome to my blog. Previous readers have expressed confusion as to whether the narrator of this blog – or what Henry James refers to as the center of consciousness – really is Jack Nicholson. All I can tell you is that I, the writer of the blog, am indeed Jack Nicholson. However, I should mention that the characters in this rather disjointed chronicle are NOT intended to represent any real people, living or dead. And so, I felt this preface necessary.

LATEST NEWS!
From now on my blog will be distributed online here instead of on my official website.  As I have no control over the content of my own “official” website, my agent suggested I begin this unofficial blog as a kind of outlet for my thoughts and feelings – which I believe have caused him some unrest as of late.

Letters:
I would like to formally apologize to the Heath Ledger family– one: for calling him Keith instead of Heath in last week’s blog, and two: for any inappropriate and disparaging remarks concerning his impersonation in the Batman remake. Heath was a talented performer who will be dearly missed by a generation unfamiliar with Tim Burton’s original Batman film.


 Excerpt from a spat that occurred on the set of Tim Burton’s 1989 Batman movie:

Jack Nicholson: Da da da da da da, da da da da da da BATMAN!
Tim Burton: It’s na na na na na na, na na na na na na BATMAN!
Jack Nicholson: No it’s not. It’s da da da da da da, da da da da da da BATMAN!
TB: What are you talking about? It’s na na na na na na…
JN: Da! It’s da da da da da da!
TB: This is ridiculous!
JN: Fuck you…
TB: Fuck you!
JN: You’re never gonna make another movie!
TB: I’ll make more money than you!
JN: No you won’t!
TB: Fuck you.
JN: Fuck you.
TB: Fuck you.
Jack Nicholson pours his cup of hot coffee all over Tim Burton’s new white shirt. Brookes Brothers. “It was an accident,” he explains.

Charlie Chaplin hated barbers and waiters.

Earlier this week, I had the privilege of taking a script meeting with Woody Allen.
I am currently in New York, preparing to undertake the “Holy Trinity” of writer, director and star in my next film. My bookshelves are crowded with biographies on others who have assumed all three roles in a single motion picture: Charles Chaplin, Orson Welles, Erich von Stroheim, etc.

In his chapter about the production of von Stroheim’s The Wedding March, Thomas Quinn Curtiss digresses in a paragraph about Anton Wawerka, the Czech actor who was cast in the role of Emperor Franz-Joseph. Were I to write my story out as formal autobiography instead of blog, I’d choose this paragraph as the opening quote for my book:


To inspire him with confidence, von Stroheim ruled that the Austrian national anthem by Haydn be played whenever he appeared. This practice was repeated whenever Wawerka visited a cafĂ© in Hollywood, and its thrilling notes always caused him to adopt the Imperial stride. After the film was finished and his empire gone, he was greatly depressed over the fact that the anthem no longer greeted his arrival. He fell into deep melancholia and suffered a nervous breakdown, another victim of von Stroheim “realism.”[1]



Five years earlier, Wawerka played Franz-Joseph in von Stroheim’s Merry-Go-Round. Two years later, he was credited with the same role in the Columbia Pictures film Melody Man. I have no knowledge of any other character portrayed by the actor.

After grabbing the above quote for this blog, I closed the von Stroheim book before comfortably slipping into dumbness. From there, I caught the tail of Cragganmore’s scamper across the wood floor, and the waking flutter shook my drowse.

No cheese in the unmarred cage. I gently scrape a miniature cube of cheese from my finger onto the inviting metallic swing, but I do this with little faith in the device. Somehow, the mouse has repeatedly proved himself capable of sneaking inside the cage and escaping, cheese in mouth, without setting off the mechanism that would shut the trap door. The humane alternative for trapping my little buddy has not brought out the gamesman in me – I had hoped to feel like John Wayne in Hatari! but I feel instead like a jeweler fiddling with crosshatched strands of metal (something like Rod Steiger in The Pawnbroker). Not that the oblong cage hadn’t proved to be a success for the earlier release of Mr. Morangie (or Glen) into a public trashcan – an alternative that likely resulted in a freezing death or a less compassionate trap in another home.

Actually, it was not quite a release. Mr. Morangie was trapped in the cage, making all kinds of commotion, and – as per the attached instructions – I covered everything with a plastic bag before taking it outside, where I was supposed to open the cage door to set Mr. Morangie free. However, standing there in the cold, I somehow could not open the cage door – not that the door wouldn’t open… I mean, I wouldn’t know because I never tried. I couldn’t even remove the cage from the plastic bag – and when the movement within my hands, within the plastic, within the cage, grew more aggressive, I put everything in the public trashcan and walked away. It’s entirely possible that instead of freezing to death or finding one of those old fashioned traps that break the mouse’s neck upon contact, Mr. Morangie starved a slow death, trapped in that plastic covered humanitarian cage for the remainder of his days – which numbered God knows how many.

After hunting mouse under kitchen cabinets, jostling my baseball bat within the wooden corners of my ground floor studio apartment in the heart of Greenwich Village, and scrutinizing the seemingly altered trimming that envelopes this narrow dwelling like concrete curbing, I have become ensnared by an autumn russet stitched across the unmade bed. I would be happy to waste the day tangled in the clutter of sheets, undressed and unwashed, but everything feels like a potential nest for Cragganmore.

10:30 in the morning. I am determined to return to my screenplay. I will remove my finger from my eyebrow! I’ve been sitting in front of my computer, at a table temporarily used for both eating and writing, with my finger on my eyebrow for a good fifteen minutes now.

Ten minutes later. I have now returned to this blog after opening old emails from Edith.

Here is what I have read:

This message is not flagged. [ Flag Message – Mark as Unread ]
Date:
 Tue, 28 Sep 2005 13:06:58 -0700 (PDT)
From:
Subject:
 Re:
To:
"jack nicholson" <robEdupea>@yahoo.com>

my dear ‘jack’,

every time i come home, i pass the monopoly board in my closet and i take it out to look at marvin gardens and  i think of you.

your queen of marvin gardens,
e

jack nicholson < robEdupea > wrote:

Dear Edith,
Last night I did absolutely nothing.
I sat on my bed.
I shut my eyes and drifted to sleep.

A popup appears on the computer. An attractive woman in her underwear stares at me with a cartoon bubble asking if I would like to date her. The options YES and NO are open invitations below her picture. I am tempted to select NO – just as a test – but I refrain from making any selection at all.

I dreamed of sitting on my bed
and eating a salami sandwich. I woke up,
made myself a salami sandwich, and sat on my bed
to eat it.
--- edith beaumont wrote:

> dearest jack,
>
> sometimes i find myself racing through work,
> forgetting to push patrons to take advantage of
> our lunch box specials, so i can get back to the
> important business at hand:
> replying to your emails.
>
> i don’t like to read things like ‘love is an illusion’.
> you shouldn’t be such a defeatist.
> romantics are seldom happy.
> until they are.
>
There were times when Edith read younger than she was. The idea occurred to me that she was actually a 12 year-old schoolgirl; that I would have to pretend to be upset that she lied when I found out the truth; that I should secretly be turned on by this. Then I wondered if I could relate to a 12 year-old on any kind of deeper level. Perhaps it didn’t matter as a man got older, and love became a different kind of ideal.

jack nicholson < robEdupea > wrote:

Dearest Edith,

I've dated many different kinds of girls. Long term: before
Rebecca Broussard, I had a brief marriage
with Sandra Knight and a 17 year long relationship
with Angelica Houston, but I messed those up .

Legendary for being a Hollywood bad boy, Jack Nicholson never had trouble conjuring the impression of a ladies man – but it bored him. More than being bored by the types of women he made love with, Jack Nicholson was bored of making love to them the way Jack Nicholson makes love to a woman. He posed for the mirror behind the over-sized sunglasses he had purchased on St. Marks Street for the purpose of concealing his celebrity eyebrows. BluBlockers. He looked ridiculous.



[1] Thomas Quinn Curtiss, VON STROHEIM, Angus & Robertson, UK 1971, p.227-228